We are pleased to announce that we are currently wrapping up the program of our next and final meeting in Paris this Spring. After almost two years of research and brainstorming, it will be exciting to share some questions with important scholars who have also been dealing in their own work with the concept of “abstraction”.
The workshop is scheduled on June, 18th 2020 and will be hosted by the École des hautes études en sciences sociales in Paris, with the following speakers: Jean-Claude Bonne (EHESS) on Matisse and medieval abstraction; Jean-Claude Schmitt (EHESS) on the use of diagrams in the Middle Ages; Daniel Russo (Université de Bourgogne) on the use of colors in manuscript illumination; Elise Haddad (EHESS) on the depiction of stars in the portal of Beaulieu-sur-Dordogne; Anca Vasiliu (Centre Léon Robin) on the concept of image in Philo of Alexandria.
More details soon… For any further information, please contact Vincent Debiais.
Abstraction in Medieval Art – Paris, June 18th 2020, 10h-17h (Institut national d’histoire de l’art 2 rue Vivienne, salle Pereisc).
The second year of our project Abstraction before the Age of Abstract Art starts on October 1st in Paris. Members from Case Western Reserve University, Cleveland are flying to the École des hautes en sciences sociales for two days of meetings, workshops and visits.
This first event in France for our FACE project will give us the opportunity to present the results of the first year of collective research and to collect insights and comments from our colleagues from the medievalists’ group Anthropologie historique du long Moyen Âge. We will also have the great pleasure to dive into the fascinating world of architectural geometry with Patrice Ceccarini.
Join us salle Mariette (Institut national d’histoire de l’art, galerie Colbert, 2 rue Vivienne, 75 002 Paris) at 9.30 a.m. on October 1st.
Elina Gertsman (Case Western Reserve University, Cleveland) Vincent Debiais (EHESS-CRH, Paris)
Introduction et présentation du projet FACE
Patrice Ceccarini (École nationale supérieure d’architecture, Paris)
L’abstraction géométrique gothique. Hypothèses
Elina Gertsman (Case Western Reserve University, Cleveland)
Color/less. Vide et abstraction
Vincent Debiais (EHESS-CRH, Paris)
La couleur nue